The Luxor Museum, located near the Nile River, in the city centre of Luxor (Egypt) account for a few weeks with a new coffin of great historical interest. This piece was discovered two years ago by members of Djehuty Project, involving different experts from the University of Seville and other researchers from all over Spain.
The casket is a singular piece Iqer the time to which is attached, the beginning of the Middle Kingdom, a hectic time in the history of Egypt, with the country emerging from one of the deepest crises in its history. His style is also very unique: a band of decoration presents a rustic features hieroglyphic text, which we might describe as “naive”. The coloring is otherwise well preserved. Inside the coffin was found the mummy coffin owner, by the name of Iqer (which in Egyptian means “The Great”), with an interesting outfit consisting of bows, arrows, rods and ceramics.
Professor, Department of Ancient History at the University of Seville José Miguel Serrano, a member of the archaeological mission for more than a decade, and co-director of the same, says that it is a part “unique and very hard to find.”
Currently only half a dozen have discovered sarcophagi value similar to that already can be seen at the windows of the most important room of the Museum of Luxor. “We are very proud of this recognition that has given us one of the best museums in Egypt and continue to work because we are sure that there is still much to discover.”
In the past two years, this panel has almost doubled the area of excavation where they found a number of funerary chapels and a deposit of ceramics, also of type funeral, the largest found so far. “This is a clear indication that this area contains interesting elements, and even likely, that we find new graves which would add to the five that we have discovered over the years of excavation,” says Serrano Delgado.

Karnak by Night
The topics that focuses its research are framed within the context of the Egyptian religion, mainly through texts and iconographic repertoires. Holds a research on funerary biographies, plus an interest rate for historiographical issues. In recent years, in line with their participation in the Project Djehuty, is dedicated to the study of New Kingdom funerary rituals


The French expedition brought more than 165 scholars and scientists in all specialties to study all aspects of Egyptian life, geography, zoology, geology, history, religion, traditions, laws etc. Those scientists showed great desire and enthusiasm to study the entire Egyptian, especially history and ancient monuments. Undoubtedly, the charm and grandeur of these monuments attracted many of them to go almost all regions of Egyptian territory especially in Upper Egypt. The ancient Egyptian monuments were the largest field of study and research for some of these historians and scholars. A few years later came the work of French painter and historian Vivian Dinon who walked enchanted by the wonders especially in Upper Egypt-Egypt, and finally his work resulted in a valuable book entitled “Travel to the Lower and Upper Egypt” published in Paris in 1803.
Thanks to Mariette Pacha (1821-1881) precurso the French Egyptologist who established the Egyptian Antiquities Service of first. Mariette in 1857 founded the first museum in the neighbourhood of true “Bulaq” in Cairo. It was, indeed, a small building that consisted of four rooms that were exposed objects and antiquities Egyptian . Soon, this museum was badly affected by the flooding of the river Nile, so the objects were transferred to an annex of a royal palace of the Egyptian Ismael Pacha in the city of Giza. now The Egyptian Museum in Cairo was a fruit of great efforts and good desire to preserve the ancient Egyptian artifacts. It was announced an international competition between European companies in the late nineteenth century to build a museum, and won the competition a company from Belgium, so the design of the facade of the museum, unfortunately, is not Egyptian, but was decorated in the style Greco-Roman.
one of the fundamental divinities who played a large role in Ancient Egyptian Theology. Isis was the goddess of motherhood, loyalty, and magic. Here Isis is a figurative way Greco-Roman and not due to the traditional Egyptian style your wig and your gown also with node that is Roman. Salem addition, the facade was decorated in the Greco-Roman style due to the existence of two Ionic columns, as this type of columns only appeared in the Greco-Roman Period. After all they are some names of ancient Egyptian kings written into medallions. in the garden of the museum, some monuments are scattered here and there, most of them date from the New Kingdom period (1570-1080 a. C approx.). At the west end of the courtyard is a cenotaph, or symbolic tomb built in honor of the memory of the famous figure, the French Egyptologist Mariette Pasha, who was born in 1821 and died in 1881. It is, indeed, a marble cenotaph commemorating this famous figure who came to him the idea of fundção museum that houses and displays the objects found. He wished to be buried in this place, it seems that the cenotaph is only symbolic. The cenotaph is surrounded by busts of famous Egyptologists as one Champollião, Mariette, Selim Hassan, Labibi Habashi, Kamal Selim etc. At the centre of the courtyard is a fountain filled with two kinds of plants, the papyrus and lotus. The papyrus was the symbol of Lower Egypt (North), while the lotus was the symbol of Upper Egypt (the south). The papyrus is found in the swamps of the Delta region in northern Egypt. It is a plant that needs lots of water and measures almost 2 m. high. In Ancient Egyptian papyri were used to make writing paper, sandals, etc. and barges. While the lotus was in the South, and there were two species, the blue lotus and white lotus during the Ancient Egyptian Era. 





